Frank and Lu Horsfall Competition
The Frank and Lu Horsfall Competition is an annual competition for flutists in grades 6-12 sponsored by the Seattle Flute Society. Applicants must be currently studying with a private flute teacher, and both the applicant and the teacher must be members of Seattle Flute Society.
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2026 Applications Have Closed​. Reference the Rules HERE.
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Horsfall Competition Finals
Saturday, March 7, 2026 | 12:00pm-6:00pm
Queen Anne Lutheran Church
2400 8th Ave W, Seattle, WA 98119
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THIS IS A FREE EVENT
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Aralee Dorough in Recital
Carlin Ma, Collaborative Pianist
Sunday, March 8, 2026 | 1:30pm
Queen Anne Lutheran Church
2400 8th Ave W, Seattle, WA 98119
Horsfall Finalists are asked to bring their flutes to the recital!
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THIS IS A TICKETED EVENT
$10 Members | $15 Non-Members
FREE for Horsfall Competitors Plus One (1) Guest Each
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PROGRAM
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Canzone | Samuel Barber (1910-1981)
Sonatine | Henri Dutilleux (1916-2013)
Fantasie Pastorale Hongroise | Franz Doppler (1821- 1883)
~ Brief Intermission ~
'Spontaneous Ensemble'
by Aralee Dorough and the finalists of the 2026 Horsfall Competition
Syrinx | Claude Debussy (1862-1918)
Sonata | Robert Muczynski (1929-2010)
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2026 Adjudicators
Upper Division: Aralee Dorough
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Aralee Dorough began her tenure with the Houston Symphony as second flute in 1985, becoming the orchestra’s principal flutist in 1991. Dorough teaches orchestral repertoire at the Texas Music Festival and the Festival-Institute at Round Top and is an affiliate artist on the faculty of the Moores School of Music at the University of Houston.
She first appeared as a soloist with the Houston Symphony performing Mozart’s Concerto in C Major for Flute, Harp, and Orchestra with internationally-renowned harpist, Marisa Robles, and led by then-Music Director Christoph Eschenbach, for the 1992–93 season Opening Night gala concert. Dorough also performed Mozart’s Concerto in G Major with Eschenbach and the Houston Symphony in 1993 for a triple CD set released by IMP Records in 1994, and again in concert in 2004 under former Music Director Hans Graf. Her latest performance of the popular D Major flute concerto completed her personal “Mozart cycle.”
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Dorough gave the world premiere of Bright Sheng’s concerto, Flute Moon in 1999, which was commissioned by the Houston Symphony and broadcasted live on PBS. In 2003, she gave the U.S. premiere of a Salvador Brotons’s concerto, which Brotons himself conducted for the National Flute Association Convention. In 2006, Dorough and Houston Symphony colleagues presented the premiere of a chamber work by composer Gabriela Frank on a collaborative program between the Houston Symphony and the Da Camara Society. Other solo appearances with the Symphony have included Quantz’s Concerto in G major with conductor Nicholas McGegan and Bach’s Brandenburg Concerto No. 5 with conductor Joshua Rifkin and violinist Eric Halen.

An avid chamber player and contemporary music performer, Dorough has played with the Houston Symphony Chamber Players, whose recording of Schoenberg’s Quintet for Winds on the Koch label has been met with critical acclaim. She has also performed with the Da Camera Society of Houston, The Foundation for Modern Music, Musiqa, the Festival-Institute at Round Top, and Chicago’s Ravinia Festival in collaboration with Christoph Eschenbach at the piano. Dorough can be heard on over 20 Houston Symphony recordings and performances aired on PBS and American Public Media’s Performance Today, and she has worked with a distinguished roster of conductors and guest artists including Eric Leinsdorf, Michael Tilson Thomas, Leonard Slatkin, and Yo-Yo Ma.
She also collaborated with her father, jazz artist and Schoolhouse Rock composer Bob Dorough, on The Houston Branch CD project in 2005, available to stream and at cdbaby.com. The album features Dorough along with her husband, father, and three of Houston’s top jazz musicians performing standard tunes and her father’s originals, including one of her own compositions. Because of her father, Dorough has been peripherally involved with jazz and studio work throughout her career, including a speaking part on “My Hero Zero” for ABC TV’s Schoolhouse Rock at age nine.
Dorough received her undergraduate degree from the Oberlin Conservatory of Music in 1983, where she studied with master teacher Robert Willoughby and met her future husband, Houston Symphony oboist Colin Gatwood. She continued her studies as a graduate student at the Yale School of Music where she worked with renowned teacher, the late Thomas Nyfenger.
Along with their son, Corin, Dorough and her husband enjoy traveling, most recently on the Houston Symphony’s The Planets–An HD Odyssey tour to the UK. They also participated in the Walled City Music Festival in Derry, Ireland.
Lower Division: Alicia DiDonato Paulsen
When she’s not performing with the symphony, Alicia can be found gardening, eating chocolate, reading science fiction, yelling karaoke, and running after her two kids. She and her husband Dwane love the Oregon craft brewing scene, and make their home in NE Portland.
Originally from Stoneham, Massachusetts, Alicia DiDonato Paulsen is the Assistant Principal Flute of the Oregon Symphony. Prior to moving to Portland, Alicia had a long and varied freelance career in Boston, where she was a member of the Boston Modern Orchestra Project and Opera Boston orchestras. In-and-around Boston, Alicia was also the Principal Flute for Boston Musica Viva, Radius Ensemble, the Firebird Ensemble, and frequently appeared with the Boston Symphony Orchestra, and Boston Pops.
From 1998 to 2001, following her studies at the Hartt School with John Wion, Alicia was a member of the New World Symphony. She was a Tanglewood Music Center Fellow during the 1999 and 2000 summer seasons, and appeared as a New Fromm Player at Tanglewood in 2005. In 2003, she obtained her M.M. from the New England Conservatory, where she studied with Fenwick Smith. She has participated in the Norfolk Chamber Music Festival, the Aspen Music Festival, and the Rockport Chamber Music Festival, and has performed internationally in Costa Rica, Russia, and the Netherlands.
Alicia’s chamber music collaborations include appearances with the Emerson String Quartet and the Borromeo String Quartet. Additionally, she has appeared as a concerto soloist with the Boston Modern Orchestra Project, the Santa Fe Symphony, and the New World Symphony. She won first prize at the 2005 Mid-South Flute Society Young Artist Competition, the 2003 James Pappoutsakis Memorial Flute Competition, and the 1999 Frank Bowen Competition. In 2006, Alicia won third prize in the National Flute Association Young Artist Competition.
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Horsfall History
Frank H. Horsfall (1883-1968) was a prominent Pacific Northwest musician who directly or indirectly influenced a great many flutists locally and nationally. He was in the Seattle Symphony for 46 continuous seasons (35 of those as Principal), a member of the University of Washington faculty for 20 years, and a friend and colleague of many renowned artists. He was a sought-after obbligatist for stars such as Lily Pons, Lauritz Melchior, Patrice Munzel and Martha Graham. He also enjoyed playing in the Western Washington Fair Band every September for 25 years and marching with the Nile Temple Band at conventions and parades whenever his busy schedule would allow it. He had many offers to join major eastern symphonies, but chose to stay with the students and musical associations in his beloved Northwest. His greatest pleasure was in teaching. He taught for nearly 60 years and many of his students gained prominence of their own in famous orchestras across the country.

Frank Horsfall with students
Frank was born in Tacoma of English parents who had emigrated from Yorkshire in 1867. When Washington became a state in 1889 his father was a Tacoma Councilman. After the 8th grade, Frank left school and entered into a four-year apprenticeship to become a machinist. On the side, he learned to play a fife, talked his way into a fife-and-drum corps, bought a $2 piccolo and a $10 flute and began his musical career. He set aside one third of his wages for lessons and would search out any appropriate music professional who came within reach, for good teachers were hard to find. He also took several off-hours business courses in order to manage his future financial affairs. All his life, he looked for ways to learn, improve and expand his knowledge.
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In 1901 he became a journeyman machinist and worked at that trade with music as an avocation. At age 22, having also learned to play the saxophone, he put aside machinist tools to play flute and sax in local dance orchestras. The big break came in 1909 - an invitation to be a member of the original Seattle Symphony Orchestra. To augment his symphony income he taught a few lessons and played in park bands, dance bands and pit orchestras for vaudeville, ballets and musical comedies. He and two other flutists even formed an act, "The Three Magic Flutes", and toured for a short time on the Orpheum vaudeville circuit. During World War I he was a machinist at the shipyard by day and a musician by night, but when the war ended he again devoted his full attention to music.
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Lulu C. Smith (1889-1983) was born in Minneapolis of Norwegian and German parents who moved to Tacoma when she was a toddler. She became an expert pianist and Frank's favorite dancing partner. They were married in 1913 and she shared his life for 55 years thereafter, creating a loving home for their two sons and a supportive atmosphere for her musician husband. She was continuously active in school and university organizations and in music circles. Lu was a talented artist, seamstress and cook. The students who sat in her warm kitchen waiting for their lessons appreciated her cheery ways.
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Frank's long career encompassed many activities and interests. He was a business manager, real estate entrepreneur, artistic photographer and lifelong adventurer. In 1920 he and Lu went up the inside coast of British Columbia in a small outboard boat, camping on the wild beaches each night. He climbed Mt. Rainier in 1925, starting from the Longmire's residence, where Lu helped attend to those waiting for the return of the hiking party. One summer he and three other musicians hiked 300 miles through Glacier National Park. Each evening they would haul out their instruments to entertain fellow campers. When over 80 years old, he photographed Kauai's Waimea Canyon leaning out of an open helicopter.
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An outgoing man, with effervescence and enthusiasm, he was never one to hold back if the opportunity came along to make new friends. After a concert by the touring London Philharmonic Orchestra, for example, he went backstage to meet the flute section. That evening, after taking them on a tour of Seattle, they all ended up in his basement studio playing music from his library and enjoying Lu's gracious hospitality.
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In the mid-30's, he joined with the principal clarinet and oboe players of the symphony, both teachers interested in youth, to form the Seattle Symphony Woodwind Trio. They are still remembered for the humorous and educational music-appreciation programs they put on at countless school assemblies.
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Certainly he was proud of what he was able to achieve in his lifetime, but he took the most pride in the accomplishments of his students. As their lives progressed, he would follow their advancements with the interest of a parent. Julius Baker, during one visit to the Seattle Flute Society, mentioned his long acquaintance with Frank and commented, "Bill Kincaid and I envied Frank's natural rapport and easy way with young people -- he loved his students and they loved him."
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His last private lesson was given just three months before his death in March 1968, at the age of 84. Lu, blessed with good health and a bright-side philosophy, continued to lead an active life until her death in November 1983, at 94.
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The Seattle Flute Society's Frank and Lu Horsfall Competition helps perpetuate their memory and the influence they had on the musical history of the Pacific Northwest.
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-- Contributed by John Horsfall
Past Winners
Have names to add to this list? Contact seattleflute.publicity@gmail.com
